Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

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¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un linguag

Rainer Ganahl▐ Manhattan Marxism

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Rainer Ganahl at Boa Vista

Rainer Ganahl at
Artist: Rainer Ganahl
Venue: Boa Vista, Porto
Exhibition Title: Manhattan Marxism
Date: April 13 – May 14, 2017
Rainer Ganahl at
Rainer Ganahl at
Rainer Ganahl at
Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of Boa Vista, Porto
Press Release:
In this exhibition, Rainer Ganahl combines his projects Manhattan Marxism and Strange Teaching, emphasizing the aspect of exploitation.
Ganahl, a professor of fine art, calls his art education Strange Teaching, an educational extravaganza, and invites his and other teachers’ students to participate in his art endeavors.  A variety of strange teaching projects that have so far taken place include squatting in a dilapidated department store in Leipzig, a lecture and studio visit marathon in New York City, and now a sweat shop production here in Porto. To learn more about Strange Teaching Porto click here.
Manhattan Marxism has previously taken place at Kunstmuseum Lichtenstein (2012), White Columns, New York (2013), and De Vleshaal, Middelburg (2014). Ganahl is interested in Karl Marx as a theoretician and as a metaphor for a more just world. He is interested in convivial spaces to be shared with others.
His guiding idea for the Porto edition of Manhattan Marxism consists of working with wool in a preindustrial way. The students spin, make felt and produce works from scratch that compare and compete with five machine-knitted pieces that are made possible with the help of STOLLs knitting computers. The work process is documented and quantified. Thus, it is meant to raise consciousness about the manifold complicated hidden production processes that enter the consumer products we purchase at department stores for little money. Like a Do It Yourself (Marxian) superstructure, a series of guest lectures with visiting local and international artists and critics, as well a presentation by the participating students, accompany the hard and restless labor of the unpaid work program.
Ganahl’s exhibition is complemented with a separate show of works by the selection of students from the  AbK-Stuttgart and FBAU Porto who volunteered to be “exploited” by the artist.
Participating students: Marta Arcanio, Juliana Boller, Carmen Velert Castellanos, Josephine Ducat, Leila Dendic, Elmar Mellert, Ruxin Lui, Grecia Paola, Soraia Pinheiro, Gil Raro, Clara Silva, Rintaro Takahashi.