Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

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¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un lin...

Rachel Rose ░ Lake Valley

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Rachel Rose at Pilar Corrias



Artist: Rachel Rose
Venue: Pilar Corrias, London
Exhibition Title: Lake Valley
Date: September 2 – 30, 2016


Full gallery of images, press release, and link available after the jump.
Images:
Images courtesy of Pilar Corrias, London. Photos by Damian Griffiths.
Press Release:
Pilar Corrias is pleased to present the first solo exhibition at the gallery by the American artist Rachel Rose.
Lake Valley (2016), is a cel animated video set in an imagined suburb. Each frame is a composite of elements from 19th-20th century children’s book illustrations cut, layered, and re-mapped for the present-day.
The suburban places encountered in the video—the house, the parking lot, the park—are familiar and not. There is simultaneity of past and present in all surfaces of the video—a plastic garbage bag is an illustration of a woman’s hair; an egg shell is an amalgam of dragon skin, cobble stones, and beer.
The story of Lake Valley follows an imagined pet as it seeks attention on one particularly lonely day. The pet leaves its family in search of connection in the nearby green. The narrative is rooted in the theme of abandonment that permeates childhood in children’s literature. Abandonment, like a suburban house, is relatively ordinary experience sustained by everyday routines and anxieties.
Rachel Rose (b.1986) lives and works in New York. Recent solo exhibitions include:Everything and More, The Whitney Museum of American Art, New York (2015);Palisades, Serpentine Sackler Gallery, London (2015); Aspen Art Museum, Aspen (2016); Interiors, Castello di Rivoli, Turin (2015). Forthcoming group exhibitions include:The Infinite Mix, Hayward Gallery, London (2016); São Paulo Biennial, São Paulo (2016); Okayama Art Summit, Okayama (2016). Forthcoming solo exhibitions include: Serralves Museum, Porto (2016); and Kunsthaus Bregenz, Bregenz (2017).