Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

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¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un linguag

Simon Denny. Blockchain Future States

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Simon Denny at Friedrich Petzel

Artist: Simon Denny
Venue: Friedrich Petzel, New York
Exhibition Title: Blockchain Future States
Date: September 8 – October 22, 2016


Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of Friedrich Petzel, New York
Press Release:
Petzel Gallery is pleased to announce a new exhibition of works by Simon Denny entitled Blockchain Future States.
At a moment when public debate spotlights a global governance system that seems to ignore the needs of many of its participants, starkly contrasting visions for alternative political systems are emerging. What would a world look like where the collusion of an elite few would be rendered technically impossible? Can a truly inclusive global future exist?
Blockchain Future States investigates Ethereum, 21 Inc., and Digital Asset, three financial companies at the forefront of Bitcoin technology and the application of the blockchain, a decentralized transaction database that functions as the backbone of this crypto-currency. The potential widespread usage of Bitcoin as a supra national currency enables these visionaries to propose radically different visions for a new world where traditional political/geographical state formations can be reimagined and new dreams of what the world could look like begin to emerge.
For this exhibition Denny will present three different platforms highlighting the differences in each company’s utilization of blockchain and the political and ideological differences these are based on. Their aesthetic context and geo-political ecosystems are imagined through a global diagram, a community of computer Case-Mods and other sculptural infographics. The exhibition maps the myths, dreams, winners and losers of the global game of governance design. Artworks borrow their forms from the hardware of competitive gaming – with oversized special editions of the board game “Risk”, personal computer cases turned corporate “deal toys” and cartoonish entrepreneurial “players” in a land-grab for the decentralized, encrypted infrastructure of possible self-governing future worlds.
Simon Denny was born in New Zealand in 1982 and received his degree at the Städelschule, Staatliche Hochschule für Bildende Künste in Frankfurt. Denny has exhibited widely internationally including WIELS Contemporary Art Centre, Brussles (2016); Serpentine Sackler Gallery, London (2015); 56th Venice Biennale (2015); MoMA PS1, New York (2014); Portikus, Frankfurt (2014); Kunstverein Munich; Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2013); 55th Venice Biennale (2013); and the Aspen Art Museum (2012).