Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

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¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un lin...

Dena Yago ⁞ The Lusting Breed

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Dena Yago at BodegaDena Yago at Bodega


Artist: Dena Yago
Venue: Bodega, New York
Exhibition Title: The Lusting Breed
Date: February 25 – April 2, 2017
Dena Yago at Bodega
Dena Yago at Bodega
Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of Bodega, New York
Press Release:
This exhibition consists of five tableaus made of pressed wool, dyed with natural materials and cut with pressurized water. The images inscribed and materials used were chosen to reflect a few of the ways that women work. Some of these images may look familiar to you: a rendering of Courbet’s The Grain Sifters and The Sleeping Spinner, while some of these scenes may feel familiar to you: women trading in influence, selection, assistance and care by communicating, designing, aiding, sifting, listening, responding, crafting and up-scaling. Like these women, some of you may also be leveraging your ability to engage in this work at a time that fetishizes such modes of production, particularly affective labor
(which is often made invisible) and artisanal craft (which is often made hypervisible). These ways that women work are neither universal nor natural. These images are not atemporal or timeless, they are tethered to 1853, 1855, 2017, 2017 and 2017.

Dena Yago (b. 1988, New York, NY) is based in Los Angeles. Recent solo exhibitions include Sandy Brown, Berlin; High Art, Paris; Boatos Fine Art, São Paulo; White Flag Library, St. Louis; and Cubitt, London. Recent group exhibitions include Museum of Modern Art Warsaw, Warsaw; Hammer Museum, Los Angeles; Cell Space, London; Studio for Propositional Cinema, Düsseldorf; JTT, New York; and Kunsthalle Bern, Bern.