Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un lin...

Ida Ekblad ░░░ I’m four years old

Ida Ekblad at XYZ collective

Ida Ekblad at XYZ Collective
Artist: Ida Ekblad
Venue: XYZ collective, Tokyo
Exhibition Title: I’m four years old
Date: March 18 – April 15, 2018
Curated by: Freedman Fitzpatrick, Los Angeles/Paris
Ida Ekblad at XYZ Collective
Ida Ekblad at XYZ Collective
Ida Ekblad at XYZ Collective
Full gallery of images, press release and link available after the jump.
Images:














































Images courtesy of XYZ collective, Tokyo
Press Release:
XYZCollective and Freedman Fitzpatrick are proud to present Ida Ekblad’s first solo exhibition in Asia, I’m four years old.
Put it on record
Lac insects
Italian needle tin
Cigarette card and porch
Nipponophone sleeve details
Vocalion Record and sleeve
Puritan Record and sleeve
Domino Record and sleeve
Etched reverse of one sided record
Indian Record and sleeve
Show off pied piper sales
Sands of time, man and beast,
Golden Pyramid needle tin
Notice on reverse of
Lyric Sleeve
Disco Gramophone record and sleeve

Ida Ekblad’s practice incorporates painting and sculpture but also poetry, filmmaking and performance. The Norwegian artist has collaborated with multiple artists and musicians. Her sources of inspiration include artist figures such as Odilon Redon, Joy Orbison, Lina Bo Bardi, the acting of Gena Rowlands and the writing of Haldis Moren Vesaas and Inger Hagerup.
Her high-energy paintings are superabundant, retinal, corporal, pushy and highlight trends and techniques often seen as outdated or even tacky such as puffy paint, rose pattern kitchen towels, run-of-the-mill graffiti, steam punk, b-girl aesthetic or airbrushing. Colors work as both decor and aggressor, forced onto the canvas and combined with the mysterious and druggy poetry of her titles.
A sense of freedom exudes from the vibrant work of Ekblad who dislikes to plan, organize, rationalize or iron things out. Ekblad rather looks for ‘hunchy’ moments of peak eyes, peak ears, peak everything when working.