Pingapa ▌PLUS▼

Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un linguag

The Jurist ◊ Anna Sophie Berger & Benjamin Hirte

Anna Sophie Berger, Benjamin Hirte at CICCIO

Artists: Anna Sophie Berger, Benjamin Hirte
Venue: CICCIO, Brooklyn
Exhibition Title: The Jurist
Date: January 25 – February 23, 2020
Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of CICCIO, Brooklyn
Press Release:
In a montage some things gain meaning while others seem even more lost in the line up. Why is that?
The painting features a male figure in half-profile, gazing to the left. The face is composed of fish and plucked poultry. The figure wears a black cap. The fur lined coat is half open. The torso underneath the coat is formed of books and manuscripts. The chest consists of a black folder from which white pages protrude, forming a collar. The lower chest is delineated by two books featuring the inscription INSERNIA and BARTHO respectively. The tail of a trout makes the chin and the mouth is that of a fish. One cheek is a chicken thigh. The nose is made of the rump of an entire plucked chicken, whose wings also form the eye brows while the eye of the chicken doubles as the eye of the man. The chicken’s black legs make up the moustache. The cheek is constructed using the leg of a larger poultry whose wing forms the man’s temple.1
At McCarren Pool in Brooklyn, there is a sign mounted to the brick wall outside the locker rooms. The sign’s background is the classical dark green seen in all New York city parks and recreational areas. It features the white line drawing of the head of a figure with short stubby hair holding its nose. To the right of the drawing is the white logo of New York City department of health. On top of the drawing in red letters the sign reads “NO BREATH-HOLDING CONTESTS” in large capitalized letters. Underneath the drawing inside a white rectangle the following sentence is written: “Taking deep breaths, one after the other, before swimming underwater can be deadly!” And yet another segment of text, in even smaller type, is printed below the white rectangle, stating: “Prolonged or repetitive breath-holding can be deadly. No intentional hyperventilation or underwater competitive breath-holding.” NYC Health Code, §165.41
The central shape of the Tragedy Tub is derived from the mouth of an ancient Greek tragedy mask. Its sculptural form as a pool like object translates the outcry into three dimensional space, creating depth in the most basic way and thereby becoming a container. The upper surface of the object is made of bitumen roofing patches and a coat of aluminum reflective roof coating lacquer typical for New York’s tenement roof landscape. The silver appearance of the lacquer comes from aluminum flakes mixed into a tar-based solvent, making it reflective, and helping to cool the surface of the roof.
In the novel 2666 by Roberto Bolaño, the literary figure of a German writer and poet named after the Renaissance painter Arcimboldo disappears somewhere in the desert of northern Mexico.
Arcimboldo’s paintings have an encyclopedic and almost idiotically simple approach, which time makes divine.
1 Translated from German Wikipedia entry for The Jurist by Giuseppe Arcimboldo, 1566